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| Founded in 1972 with a name that plays on the Seastone name as well as the space between earth and sea that is always changing. So Tideline Press books visually change within themselves as well in relation to each other. While mostly letterpress, handpulled offset-lithography, Xerography, and non-silver photographic methods are also employed. All are handbound. The press has received several Type Directors Club Awards, an AIGA 50 Best Books Award, a several New York State Council on the Arts Grants. | |
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Gooseberry Creek: Photo engraving, woodcut, handset type of poems by Leonard Seastone and 4 platinotypes by David Hanson. 21 accordian fold panels, 4.25" each by 7.75." Arches Cover. Edition of 65 signed and numbered copies. 1987. The Tideline Press. $500. |
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Good Movies: A rewriting of an existing visual text by Leonard Seastone, where the facts have been changed to forewarn the innocent. Handpulled offset lithographs, 66 pages, 21" x 14.25." 1988. The Tideline Press. $1,200. |
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White Tulips: Woodcut and handset type by Leonard Seastone of 99 haiku by Ronald Baatz. 114 pages and gatefolds. 5.375" x 3.75." Barcham Green paper sewn to velum tapes woven into Arches Cover - non adhesive. Edition of 30 signed and numbered copies. 2003. The Tideline Press. $225. |
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The Hat: Woodcuts by Seymour Chwast, Pushpin Studios, with woodtype running text and dates, handset foundry text, and polymer plates. Accordion fold, 11" x 7," 22 pages (panels) with reduction block wood cut paper cover. Edition of 100 signed and numbered copies. 2004. The Tideline Press. $750. |
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In a Clay Pig's Eye: Haiku by Ronald Baatz, five relief prints by Leonard Seastone. The text is digitally printed on Mohawk paper all else is letterpress printed. 54 pages, 6.5" x 4.875." Edition of 100 signed and numbered copies. 2005. Seastone Editions. $100 for Bookfest only. Later - $135. |
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